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DANCE IN THE MIX

Read field notes by choreographers and performers making work as well as blog posts by guest artists on performance, production, and artistic theory as a journey fueling the generative nature of ideas.
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The Bell House is looking for guest blog contributors for Dance In The Mix.  Writing submissions between 1000-3000 words on any topic related to dance would be considered. Submissions will be subject to rigorous critical review before publication; $20-30 writing stipends available upon acceptance. 
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To submit, email bellhouseart@gmail.com with introduction, short 2-3 sentence author bio, headshot, contact information & submission content. ​

Dance Can Change Your Life – Part III

8/2/2017

1 Comment

 
Dance In The Mix welcomes Evangeline Bonin as our first student guest blogger sharing thoughts are research she has been developing during her undergraduate work at Oral Roberts University in Tulsa, OK. ​​

Social Effects & Final Thoughts
After discussing the beginnings of Dance/Movement Therapy and the physical effects of dance in Part I of this series, as well as the emotional and psychological effects of dance in Part II, this third and final issue will highlight the therapeutic effects of dance on a social scale.

 Dance has proven to be helpful for those who choose to implement it within their own lives. However, there is another beneficial aspect of dance therapy, which up until now, has not been addressed. Dance is, after all, traditionally a performing art and, as with any performance, there is an audience. One might ask how these performances affect audiences? In the same way that dance affects the dancer, there are several different ways dance can affect viewers. The audience may wish to de-stress and observe a ballet to calm themselves, or they might enjoy the cognitive stimulation that arises when watching complicated footwork. Perhaps they are even looking for emotional release. Any of these circumstances would be an excellent reason to watch a dance performance. Yet, there is something special that occurs when dancers and an audience unite: a community is formed. The crowd is no longer merely a group of spectators; they become emotionally involved. Many times when rehearsing a performance piece, the choreographer will guide the dancers with corrections such as, “Take time here to look at someone,” … “Connect with your audience,” … “What are you communicating?” Just as a piece of music can strike a chord in someone’s heart and produce meaningful tears, so can dance resonate with something inside the individual. Observers can see movement and relate it to something within their own lives. This connection creates an unspoken bond between the dancers and the audience.

            There is a plethora of benefits of dance. Improved physical mobility, emotional release, and psychological stability are only a few of these benefits. Dance is a natural kinesthetic response to thoughts, emotions, and external stimuli such as music. Another important influence of dance within a culture is the community created. This desirable bond can be reached through public performances. One need not spend an exorbitant amount of money to take part in dance therapy but can attend performances put on by universities, professional companies, or even get involved in social dances close to home for very little expense. This will also provide support for these departments. Within a university, for example, a dance concert is an excellent opportunity to draw the student body together and give them a reason to relate to one another. Attending events akin to this will broaden the views of those who do not yet dance themselves, as well as give the dancers experience to effectively communicate what they have learned through their movement. If a greater number of people can learn to appreciate this art while the artists learn to share their stories, how much more will that strengthen the bond between “dancer” and “non-dancer,” thus forging unity within an environment? Another example would be social dancing events found within a given city. There are many different organizations that host events such as an evening of swing dance on the weekends. These serve to educate younger generations and aid in social skills – after all, you have to dance with someone – but perhaps most importantly, they draw neighbors, co-workers, and strangers together to form a closely-knit community.
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            As is seen throughout this series, Dance/Movement Therapy can be an effective tool, firstly, in physical therapy: increasing flexibility, strength, and range of motion in joints and muscles. Secondly, dance can be used in emotional and psychological therapy: promoting self-perception, relieving stress, and even aiding with grief. Thirdly, dance can be practiced as a means of social health: assisting development within a community as well as enhancing social skills. Dance can literally change a life.

"About the American Dance Therapy Association." ADTA. ADTA, n.d. Web. 05 Apr. 2015.
Chaiklin, Sharon. "Marian Chace: Dancer & Pioneer Dance Therapist." ADTA. ADTA, n.d. Web. 05 Apr. 2015.

Cheung, Jenna. Personal interview. 7 April 2015.

Devereaux, Christina, Ph.D, BC-DMT. "Why Should We Dance?" Psychology Today. Christian Devereaux, 16 May 2013. Web. 06 Apr. 2015.

"Dance Therapy." Dance Therapy. American Cancer Society, 11 Jan. 2008. Web. 05 Mar. 2015.

Engelhard, Einat Shuper. "Dance/Movement Therapy During Adolescence – Learning About Adolescence Through the Experiential Movement of Dance/Movement Therapy Students." Arts In Psychotherapy 41.5 (2014): 498-503. Academic Search Complete. Web. 6 Mar. 2015.

Huber, Fritz. Essentials of Physical Activity. 5th ed. Peosta: Bowers, 2013. Print.

Kolcio, Katja Pylyshenko, Marilynn Danitz, and Margot C. Lehman. "American Dance Therapy Association: Claire Schmais." Branching Out (2000): 89-99. International Bibliography of Theatre & Dance with Full Text. Web. 7 Mar. 2015.

Webb, K. J. "Ballet Serves as Therapy for Those with Autism." GTR Newspapers. Greater Tulsa Reporter Newspapers, 19 Jan. 2011. Web. 02 Mar. 2015.


Picture
PC: Angelyn Moura Photography
Born and raised in Europe as a Missionary Kid, Evangeline Bonin is currently a Junior at Oral Roberts University studying Dance Performance. Evangeline plans on auditioning for Christian ballet companies upon graduation and dreams of using dance as a ministry on a professional level. 
1 Comment
pay someone to write your paper link
11/24/2019 04:22:38 am

Hello, Evangeline! You may not know it but your insights and personal experience as a dancer has inspired a lot of people already. I can feel how passionate you are with the craft. It's not an instant stuff; that when you decide that you want to dance, you can do it because you want to. Sometimes, it can score al to of years for you to grow that passion in to something else, that's why you need to love what you're doing. I can see how dancing has changed your life, and I am sure there are still beautiful stories that are about to unfold!

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    photo by Nathan Harmon; dancers: Jessica Vokoun & Rachel Bruce Johnson.
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    PC: Jeanne S. Mam-Luft

    Author

    It is a simple philosophy here at THE BELL HOUSE; make connections by bringing people together through dance. Art that seeks to defy a fractured view of the world by creating culture that cares for the soul and is concerned with human thriving.  For me, it isn’t enough to just make dance for dance’s sake; it is my belief that it is the connective power of people that makes art worth engaging.  We do that by taking our interests and talents and challenging the ways we connect them to something tangible in the human experience.  It is through these connections and tangibilities that we see the true power of art and dance manifest back to relationships with and through people.  In my view, what matters is people; the time and space of making work refract and overlap revealing and creating new possibilities for human connection. 

    ~ Rachel Bruce Johnson, Executive & Artistic Director

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The Exchange Choreography Festival and Oklahoma Dance Film Festival programs are made possible with the assistance of the Oklahoma Arts Council and the National Endowment for the Arts, as well as, additional subsidized support from partners, such as, Choregus Productions,
​The Tulsa Ballet & Holland Hall. 
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  • Home
    • About THE BELL HOUSE
    • A Note from the Director
    • THE BOARD
    • Accolades & Reviews
  • EXCHANGE Choreography Festival
    • 2020 CREATIVE TEAM
    • About EXCHANGE 2020 >
      • Festival History
      • Artist Schedule
  • NEWS
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    • Oklahoma DanceFilm Festival
    • PROFESSIONAL DEVELOPMENT >
      • Internships & Volunteer
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